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Artist Portfolio

I am developing a practice that fosters community enrichment and critical engagement with art media by decentering authorship and taking an interdisciplinary approach. I plan to employ art, both making and displaying it, as a tool to demystify other disciplines. Making is an assertion of self, and rather than making those assertions for the sake of feeling precious, I want others to feel invited to assert themselves, too. Everyone should be making things all of the time! We’re all artists, poets, and musicians, and with an unparalleled media volume, more of us are all of those things simultaneously. I see efforts amongst other artists to challenge achievements centered around fame. Rather than observing this shift pessimistically, we embrace the truth that conventionally defined success is futile and unnecessary to make good work. I want to find them, work with them, and survive together despite our refusal to strive for “greatness.”

A process shot from the "Match Pace" performance showing Claire drawing with a blurry phone timer visible.

Match Pace

Match Pace grapples with the pressure Artificial Intelligence (AI) art generators place on emerging creatives. What’s a young creative to do if machines can replace even art? AI supporters dismiss criticisms by pointing to similar skepticism across history. The invention of the printing press, the camera, and the computer all yielded outrage despite being commonplace today. Technological advancements often cause panic because their implementation alters the future landscapes, mainly through labor distribution. This exhibition highlights areas of an artist’s labor threatened by AI and asks visitors to consider how this parallels other careers. Maybe a robot can do it, but is that what we want? Human error is persistent and even potentially detrimental, but is art the best discipline for us to fix?

Follow the link to contribute an image for Claire to draw.

A tiny painting depicting one person showing off a tattoo and the artist of said tattoo pointing at it. The piece is in Claire's bright and slightly unnatural color pallet.

inked, 2023

A painting based on a photograph of my friend, Gwen, and I showing off the tattoo she just gave me. Acrylic on canvas, 3"x 3"

A progress image from my senior exhibition wherein I lived in a small room and drew on the walls.

Soap Boxx, 2021

Senior capstone project promoting audience participation in creative expression. The project examines how authorship, physical disruption, and a lack of responsibility for clean-up make viewers feel empowered to engage. 

Installation view of one painting in a series depicting brightly-colored characters enduring pandemic-related violence.

acts of violence, 2021

A series of paintings selected for the juried student show reflecting on the dynamics of masking in public spaces.

Installation view of a sketch capturing a man standing masked and looking at his phone. Black and white charcoal on toned tan paper.

Bill, 2020

A series of drawings selected for the juried student show created during Drawing I. The pandemic prevented the school from hiring models, so we drew Bill an awful lot. 

A work-in-progress photograph of hand-painted patterns on newsprint emulating Eastern European pottery.

Opowiadać Wspomnienia: Reminisce, 2020

Junior seminar project engaging with themes of disconnect and temporality amidst grieving a matriarch who feels like a stranger. 

Curator Portfolio

Considering art exhibitions' display mechanisms and politics has deeply informed my making. During my undergraduate studies, I took on the role of student gallery assistant, summer research fellow, and president of our Student Art Society, allowing me to grow familiar with installation practices, didactic text writing, and event organization and advertisement. A year after graduating, I extended this skillset to assist in gallery operations in a hybrid exhibition space, coworking collective, and art supply retail front. My position at this establishment recently expanded to include grant writing and curatorial practices. 

A promotional image that says, "KALEIDOSCOPE" x3 | "ART EXHIBITION FEATURING | BRENNA THUMMLER | DOUG EBERHARDT | ERIC ANTHONY BERDIS |  Gallery Opening | Friday, January 13th, 2023 | ..."

Kaleidoscope, 2023

Co-curated with Heather Fish. Featuring works from Brenna Thummler, Doug Eberhardt, and Eric Anthody Berdis. 

A promotional image with a screenshot of the Google  search result for "salon de refusés" overlaying a historical illustration of the Paris Salon and the retaliative exhibition.

Salon de Refusés, 2021

Tangential exhibition to the annual Allegheny College juried student show. Co-curated with Allegheny Student Art Society (SAS). 

An image of a painting meant to depict Kim Kardiashian, including a text bubble saying "JUDYS | $60 | CRISIS KIT"

Made in Quarantine, 2020

Co-curated with Allegheny SAS; debut of the Boxx Gallery

A promotional image borrowing visual language from credit card companies that reads, "Boxxed In | A digital art show presented by the Allegheny College Student Art Society | Find the show on Instagram: @allegheny_sas | TONIGHT 9PM"

Boxxed In, 2020 (Virtual exhibition)

Co-curated with Allegheny SAS. Provided opportunities for student engagement in the beginning of COVID-19 limitations.

A promotional image replicating Instagram's format ca. 2019 detailing the panel discussion and exhibition opening for "Photo Op," with Aysha Hamouda, Amanda Struver, Cait Finley, Rebecca Forstater, and Mirra Goldfrad. The images on the "page" include a blacklit room with a geometric string installation, a person dressed in a brick-patterned body suit standing in front of a brick wall, an opened box with a pink crystallized substance inside, and person using a rudimentary faceswapping filter with Real Housewife Sonja Morgan's likeness, and a gridded image with many kinds of scenery.

Photo Op, 2019

Co-curated with Allegheny Student Art Society (SAS) featuring works by Aysha Hamouda, Amanda Struver, Cait Finley, Rebecca Forstater, and Mirra Goldfrad. This exhibition was SAS and Meadville Council on the Arts' first collaboration and continues the initiative began with my summer research assistantship.

An image from the performance component of "Parallax" (2019) including a man playing piano while another man uses his beard to draw a line with ink on paper on the ground. Two other people have their faces near the ground and are crawling in the background.

Parallax, 2019

Co-curated with Dr. Paula Burleigh and Mr. Shawn Washburn as part of my 2019 Undergraduate Summer Research Grant. Parallax (2019) marks the first collaborative exhibition between Allegheny College Art Gallery and the Meadville Council on the Arts. 

Community Engagement & Teaching Portfolio

Since graduating, I have served as a lead and assistant educator, and as a community volunteer for various organizations provding a variety of services. I am working towards melding my community engagement and studio art practice. 

COMING SOON

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